Posts

Showing posts with the label Carroll Park

Review: "Henry V" Conquers Carroll Park

Image
Henry V  Written by William Shakespeare Directed by Jonathan Hopkins Presented by Smith Street Stage  at Carroll Park Court Street and Smith Street, between Carroll Street and President Street, Brooklyn, NYC Juhe 5-29, 2025 Smith Street Stage’s summer productions in Carroll Park are a beloved neighborhood tradition, and this year’s offering, Henry V , is a stunning way to celebrate their fifteenth anniversary season. While the production’s standout performances, led by McLean Peterson’s brilliant King Henry, are alone noteworthy, the staging, including fight choreography and original music, all contribute to this timely and timeless exploration of leadership and nation. The production features a truly rich range of performances from its entire cast. Oliver Palmer stands out as both the Archbishop of Canterbury and Fluellen, making the former’s long-winded justification of Henry’s claim to the French throne humorous rather than mind-numbingly boring and embodying the latter ...

Review: Shakespeare Grows in Brooklyn with Smith Street Stage’s "Love’s Labor’s Lost"

Image
Love Labor’s Lost Written by William Shakespeare Directed by Raquel Chavez Assistant Directed by Mahayla Laurence Presented by Smith Street Stage at Carroll Park  Court Street and Smith Street, Brooklyn, NYC June 5-23, 2024 Photo courtesy of The PR Social Deftly highlighting for a modern audience Shakespeare’s satire of lovers and especially bad love poetry, Smith Street Stage’s free production of  Love’s Labor’s Lost presents a contemporary adaptation of Shakespeare’s early comedy in the vein of a Love Island / Bachelor -inspired, campy reality show. Reconfiguring the Princess of France’s attendant Boyet as the orchestrator of both the ladies’ games and the men’s wooing attempts and the attendant Moth as a stage manager who assists Boyet, the production eliminates the original play’s side plots in order to focus solely on the lovers. The reality-show concept ultimately heightens not only the comedy in the play but also, through contrast, the somber turn at the play’s end wh...