Review: "A Hundred Circling Camps" Renders an Epic and Intimate Portrait of Protest
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbwawEHxGF7L0dQBg_OZf70exbHloF048Ty-V2UN6fuSIYUY5faHI7Y5jmy0oL6eEhOJHgnzjxhyphenhyphenU6iuroCymmEz3n1LQuH-Sh7lobRs5N-qT2kTW39cHdVi-U1LXczNWCWJ1p7Sd7FOsAh8I92rcfsGyr2d8sdBjAmkmwkp6BM2FI1Ih1Wz20zxAlgblS/w640-h262/AHUNDREDCIRCLINGCAMPS-MasterCBP_8571.jpg)
A Hundred Circling Camps Written by Sam Collier Directed by Rebecca Wear Presented by Dogteam Theatre Project , in association with Middlebury College , at The Atlantic Stage 2 330 West 16th St., Manhattan, NYC July 12-August 3, 2024 Ensemble. Photo by Clinton Brandhagen. How is sociopolitical change made? How (and how much) does protest fit into that change? Why do protest movements tend to fracture over time? And how does popular and schoolroom history, with its fondness for individual figures and big moments in combination with its reproduction of ruling-class values–consider, for instance, how Martin Luther King, Jr., is today both reduced to a few lines from a single speech and stripped of any class activism–contribute to our short cultural memories when it comes to protest, as well as to the systemic oppressions which protest challenges? Such are the difficult questions confronted by Sam Collier's ambitious new play, A Hundred Circling Camps , which establishes its base camp