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Review: Laughs Find a Way: "Hold on to Your Butts" is Comic Craft for All

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Hold on to Your Butts Created by Recent Cutbacks Directed by Kristin McCarthy Parker Performed by Nick Abeel , Kerry Ipema , and Natalie Rich (cast performing in rotation) Foley by Blair Busbee and Kelly Robinson Presented at  SoHo Playhouse as part of the International Fringe Encore Series 15 Vandam Street, Manhattan, NYC February 7–March 15, 2026 Natalie Rich and Nick Abeel. Photo by JT Anderson. Few contemporary films (or film franchises) are as synonymous with spectacle as 1993’s Jurassic Park , the legacy of which (perhaps ironically) rests on the promise that maximum technology, budget, and scale are how we fill cinemas, VOD streaming queues, and a couple of strategically-located theme parks. This is how we entertain the masses. Hold on to Your Butts , now playing at SoHo Playhouse, takes that premise and promise seriously, only to invert it. What emerges is not a simple skewering of bloated budget blockbuster culture, but something warmer and more revealing, a reminder th...

News: Theater of the Apes Announces Casting for Remount of "I Am Nobody"

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Theater of the Apes , an East Harlem-based company dedicated to presenting original, affordable, comic work, has announced casting for its remount of Greg Kotis ’ pandemic-clobbered original guitar musical I Am Nobody . Original cast members Emilio Cuesta (“Nathaniel) and Ayun Halliday (“Miriam") will be joined by Greg Kotis (“Mr. Charles”), Madeline Glave (“Naomi), and Eric May Liu (“Lucas”). The creative team includes Avery Rose Pedell (Director), Stephen Anthony Elkins (Music Director), Piatt Pund (Assistant Music Director) and Katie Walenta (Producer). From Tony Award-winner Greg Kotis ( Urinetown , The End of All Flesh ) comes a tuneful 21st-century parable about the myriad technological devices holding us prisoner that feels even timelier now than it did in March of 2020. In I Am Nobody , Lucas’ phone has seized control of his mind. It gives him no peace!!! His only recourse is to abscond with a batch of super-charged microchips, intent on unleashing a powerful cyber vi...

News: In Scena! Italian Theater Festival NY Announces International Artists for 2026 Festival

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Closed for the Holiday . Photo by Azzurra Primavera The New York City-based Kairos Italy Theater along with Casa Italiana Zerilli-Marimò at NYU and the Italy-based KIT Italia will present the 13th season of the In Scena! Italian Theater Festival NY, New York City’s premiere festival of Italian theater, taking place in all five boroughs of NYC, from May 5-19, 2026. Admission to all shows and events in the festival is completely FREE. All shows will be performed in Italian with English supertitles, unless otherwise noted. Participating venues and the full schedule of performances will be announced at a later date. Each year In Scena! showcases some of the best Italian theater from Italy, in New York City. The festival features productions that have already toured in Italy as well as readings of Italian plays in translation, mentorships, and exchanges between Italian and International artists. The goal is to promote greater awareness of Italian theater and Italian artists among New York C...

News: "ExtraO1dinary Aliens!" by Carolina Đỗ Opens March 7th at JACK

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Betterfly Productions, Leviathan Lab, and JACK, in association with The Hearth Supported Productions and The Sống Collective, will present ExtraO1dinary Aliens!,  by playwright Carolina Đỗ, directed by Vas Eli, at JACK (20 Putnam Ave, Brooklyn) from March 7- 14, 2026. Tickets ($45) are available for purchase at https://www.zeffy.com/en-US/ticketing/extrao1dinary-aliens . ExtraO1dinary Aliens! features an immigrant/first-generation cast and creative team. Corneliu is an immigrant from Romania who is in love with Kay, a U.S. Citizen. Linh is Kay's best friend who might have let her student visa lapse?! David has dreams of opening his restaurant with his cousin Enoc. This play is a love story centered on immigrants and the ones who love them. How can love defy the dehumanizing machinations of the US Immigration system? What makes someone leave everything they've ever known to journey to a foreign land? What makes someone stay despite the hostile env...

Review: "The First Line of Dante's Inferno" Is Comedic and Divine

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The First Line of Dante's Inferno Written by Kirk Lynn Directed by Christian Parker Presented by La MaMa Experimental Theatre Club at La MaMa's The Downstairs Theatre 66 East 4th Street, Manhattan, NYC February 5-22, 2026 The First Line of Dante’s Inferno,  featuring Kelli Overbey and Evan Sibley. Photo by Marina Levitskaya Inferno , the first of the three parts that make up Dante Alighieri's narrative poem The Divine Comedy (c. 1321), famously begins with its narrator's declaration that he has, in midlife, departed from "the straight road" to awaken lost in "a dark wood," in the words of the translation employed in the exceptional new experimental play The First Line of Dante's Inferno . The First Line of Dante's Inferno , written by Kirk Lynn, a playwright, novelist, screenwriter, educator, and one of the artistic directors of Austin, Texas, theater collective the Rude Mechs , finds multiple people, one specifically at that midpoint in l...

Review: "The Song of Lip and Tarantula" Deserves a Spot on Your Playlist

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The Song of Lip and Tarantula Written by Aviva Pearl Ocean Creation Directed by Sasha Gheesling Presented by FRIGID New York NY, Big Beef Productions, and Kelley-Marie Van Dilla at UNDER St. Marks 94 St. Marks Place, Manhattan, NYC February 4-8, 2026 Raising a child is a hefty responsibility, especially within the attenuated care networks of heteropatriarchal capitalism. So just imagine what it would be like to raise 26 of them. That is the number mothered by the title characters of The Song of Lip and Tarantula , a new play from writer, comedienne, and educator Aviva Pearl Ocean Creation. While this number may sound like something from Greek mythology (or Titus Andronicus ), the more dreamlike elements of The Song of Lip and Tarantula are imbricated with verisimilar details rooting the play in the current political landscape, lived queer experience, and a granular, unsentimental evocation of New York City. When the play opens, Tarantula ( Airen Guevara ) is sitting, eyes closed, in ...

News: Jesse Bradley-Amore’s "How I Learned (NOT) To Drive" Makes Its NYC Fringe Premiere This April

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Jesse Bradley-Amore will present 2025 Philly Fringies Frontrunner Pick How I Learned (NOT) To Drive , written and performed by Jesse Bradley-Amore and directed by Padraic Lillis. The production will be presented as part of the 2026 New York City Fringe Festival with FRIGID New York  at UNDER St. Marks (94 St. Marks Place. New York, NY 10009) with performances on Fri April 10 at 8:10pm, Sat April 11 at 2pm, Sun April 12 at 3:40pm, Fri April 17 at 9:50pm & Sat April 18 at 8:40pm. New York City Fringe Festival is an open lottery-based theatre festival presented by FRIGID New York that gives artists an opportunity to let their ingenuity thrive in a venue that values freedom of expression and artistic determination and gives 100% of box office proceeds go directly to the artists whose work is being presented. How I Learned (NOT) To Drive , directed by Indie Theatre Hall of Fame director Padraic Lillis, deals with the very true story of a 40-year-old Florida man overcoming his lifelo...