Thinking Theater NYC

Women Who Eat Written by Devin Davis-Lorton Directed by Laura Bertrand and Jack Callahan Presented by Chorus Girl Productions in collaboration with Point Blank Productions at Theaterlab Atelier 357 W 36th St., Floor 4, Manhattan, NYC October 22–November 8, 2026 Before anyone opens their mouths – let alone speaks – in Women Who Eat , plates of half-eaten food sit on a table in the Seaside Center for Recovery. As we audience filed into the theater, pre-show house staff directed those who wished to avoid gore to stage left, away from those would-be thrill seekers on stage right. Under these portentous auspices, the production’s glaring white room takes on an ominous aura. Almost directly situated in front of a few tight rows of seats, the space has the economical furnishings of a vaguely menacing institutional space: a bookcase, beanbag chairs, and a weathered desk, complete with a worn copy of Infinite Jest and an uneaten apple – Chekov’s Edenic totem in a play whose script announces ...

LBJ: The Play Created by and starring Sunny Zimmerman Co-directed by Caitlan Moore and Andrew Barth Feldman Devised by the cast (Katie Davis,  Soraya Perry , Albert Muzquiz) Presented by  Jo Firestone  at  Paradise Factory 64 E 4th St, Manhattan, NYC October 9-30, 2026 Sunny Zimmerman. Photo by Jose Miranda In Sunny Zimmerman’s LBJ: The Play , the path to power is precarious, and their Lyndon B. Johnson has all the swagger of a great man coupled with a near touching need to be recognized as one. Before the school bell rings, Katie Davis is already teaching. Wearing white Supergas, school capri pants, a lanyard and ID, her hair pulled up, and surrounded by all manner of overlarge beverages, she conducts a whispered conversation with an audience member named Mark about his behavior, then sanitizes her hands. Tennis balls cover the feet of the desks, while presidential portraits line the upper walls of the classroom. When the bell rings, the audience, previously c...

Blue Gum, Brooklyn , a new play written and directed by Laurie Rose Savage, a finalist in Francis Ford Coppola's American Zoetrope Screenplay Contest, is making its world premiere in a limited Off-Off Broadway engagement October 9–25, 2026, at Matthew Corozine Studio Theater in Manhattan. Running for nine performances, this family drama is set against the economic pressures of a changing Brooklyn, exploring how old resentments, familial obligations and unspoken expectations shape the bonds between sisters. As competing narratives and buried secrets emerge during a family dinner, each woman must face the complicated economies of family: who gives, who takes, who stays, who leaves, what we owe one another, and what we hold for ourselves. Produced by KMD Productions, a Texas- and New York City-based production company, in association with New York City- and Miami-based Matthew Corozine Studio Theater, the production explores suppressed emotion, family dynamics, avoidance, and the ways...

Halloween 13 ¾  –  Strip of the Slasher Movie Villains Presented by  Hotsy Totsy Burlesque at The Slipper Room 167 Orchard Street, Manhattan, NYC October 8, 2026 Dutch Baby. Photo by Jason Laboy.  For the better part of five decades, Michael Myers has made a career of clearing rooms. For one night at The Slipper Room, he finally brings down the house. As embodied by Fem Appeal in Hotsy Totsy Burlesque’s Halloween 13 ¾  –  Strip of the Slasher Movie Villains , horror cinema’s famously expressionless killer makes for a thrilling entertainer – the perfect capstone to an evening in which some world-class slashers prove to be excellent company. Presented by Cherry Pitz and Handsome Brad, Hotsy Totsy’s Halloween offering gathers Jason Voorhees, Freddy Krueger, Ghostface, and assorted other nightmares for an evening of striptease, mutual pop-cultural affection, and unapologetically terrible jokes. The fun begins before the show proper, as patrons settle in with ...

What happens when the person you love most needs you, but the words you need to save them don’t fully belong to you? IATI Theater, a New York-based, not-for-profit performing arts organization established in 1968 and dedicated to performing and promoting contemporary Latino heritage, presents Nora Coss’s Fifty fun facts sobre Olivia [mi madre] , a moving bilingual memory play exploring caregiving, language, cultural identity, and the complicated ways we come to understand the people we love. In Fifty fun facts sobre Olivia [mi madre] , fourteen-year-old Emilio is more comfortable speaking English than Spanish, while his mother, Olivia, wants him to remain connected to his Mexican roots through language. When Olivia becomes seriously ill and Emilio must help care for her in Mexico, that difference takes on new urgency. Suddenly, he must navigate doctors, paperwork, and caregiving in a language he does not fully command. In the process, mother and son begin finding new ways to unders...

The Metamorphosis of Barry Schleckman is a story of survival. It’s a story for every kid who’s ever had to do it on their own. It’s for the resilient ones, the ones who make it, the ones who somehow, finally, find their way. Maybe it’s for you. This re-imagining of Franz Kafka's famed novella -- about an ordinary person who one day awakens as a giant insect -- explores the terribly human struggle for identity, the journey from seeing ourselves as others see us to accepting ourselves as we are. Now set within an American Jewish family in 1959, The Metamorphosis of Barry Schleckman expands on the original, adding comic Kafka elements and a few surprising twists. Conceived for the stage, this radio play was produced in an effort to prove that -- even in an era of jukebox musicals and commercially-safe spectacle -- audiences still hunger for theatre that asks difficult questions, and for musicals that leave them, in some small and beautiful way, transformed. Watch the trailer here: Th...