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Review: "Closed for the Holiday" Opens the Imagination

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Closed for the Holiday ( Chiuso per Festa ) Written and performed by Matteo Porru Stage advisor: Marleen Scholten Presented by 369gradi at Casa Italian a Zerilli-Marimò at NYU, 24 W 12 St., Manhattan, NYC, on May 6, 2026, and at Culture Lab LIC , 5-25 46th Avenue, Long Island City, Queens, on May 8, 2026 Matteo Porru. Photo by  Azzurra Primavera. Typically, storytelling involves channeling other voices, and that becomes not more true but certainly more literal when theater is the mode of storytelling. In Closed for the Holiday ( Chiuso per Festa ), a solo show from Matteo Porru – a novelist, playwright, and winner of the prestigious Campiello Giovani Award – a writer puts on and off various identities, creating for the audience simultaneously a series of short character-driven narratives and an image of the creative process. Closed for the Holiday , presented in Italian with English supertitles by Francesca Triolo and Arianna Intra, represents Porru's (extremely impressive) ons...

Review: The Ensemble Takes Flight in “Stupid Fucking Bird”

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Stupid Fucking Bird Written by Aaron Posner Directed by Jorden Charley-Whatley Presented by City Gate Productions at The Secret Theatre 10-10 44th Avenue, Long Island City, Queens, NYC  May 1-10. 2026 The ensemble. Courtesy of City Gate Productions. Before a line is spoken in City Gate Productions’ urgent staging of Aaron Posner’s Stupid Fucking Bird , directed by Jorden Charley-Whatley at The Secret Theatre, the audience is already inside the play’s unstable cosmos. Smoke hangs not only over the stage but through the entryway itself, a low sonic thud pulses through the theatre, and actors drift through the space before the performance has officially begun. When the audience is finally instructed to yell “start the fucking play,” the moment lands with both comic force and uncanny uncertainty. The evening does not begin for us so much as with us. That porous membrane between audience and performance becomes the governing logic of Charley-Whatley’s production. Posner’s “sort...

News: In Scena! Italian Theater Festival Celebrates Dario Fo’s 100th Birthday with the US Premiere of "Dario Fo: The Last Mistero Buffo"

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Dario Fo © Archivio Fondazione Fo Rame Kairos Italy Theater along with Casa Italiana Zerilli-Marimò at NYU and the Italy-based KIT Italia will present the United States premiere of the documentary Dario Fo: The Last Mistero Buffo (90 minutes, Clipper Media, 2022) as part of their In Scena! Italian Theater Festival with exclusive screenings at Casa Italiana Zerilli Marimo’ at NYU (24 W 12th St, New York, NY 10011) on Tuesday, May 5th at 6:30pm and Wednesday, May 13th at 8pm. The film will be presented in Italian with English Subtitles. The film centers on the final staging of Mistero Buffo in Rome—the farewell to the stage of its author and performer, Nobel Prize winner Dario Fo, who passed away just two months later. It tells the story of a journey that begins in Dario Fo’s dressing room, with his most famous show, and unfolds into a kaleidoscopic voyage that takes us from Turkey to Argentina—places where his works, with their powerful and critical dramaturgy, still challenge the stat...

Review: Anti-Fascism Requires a Chorus of Voices in "Cable Street"

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Cable Street Music and lyrics by Tim Gilvin Book by Alex Kanefsky Directed by Adam Lenson Presented by 10 to 4 Productions at 59E59 Theaters 59 E 59 St., Manhattan, NYC April 26-May 24, 2026 The company of Cable Street . Photo by Carol Rosegg. Deep into new musical Cable Street , a trio of mothers sing about how the violence, connected to fascism, anti-immigrant sentiment, and war, that has scarred their lives in the past is, as the song's title says, "Happening Again." These characters are singing to us from 1936 London, but the parallels of their fear and anxiety with those of the current moment are affecting and inescapable. Cable Street , from Tim Gilvin and Alex Kanefsky, zooms in on the eponymous East London street during the lead-up to, occurrence, and aftermath of what has come to be called the Battle of Cable Street, when a coalition of anti-fascist protestors including Jews, Irish, and Communists clashed with the British Union of Fascists (BUF) and the police s...

Review: In "Dreamcats!," the Fur Flies…into Space

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Dreamcats! Written and directed by Charlotte Lily Gaspard Music by Nebraska ( FKA Jessie Davis ), Sabrina Chap , Zera Bloom , Doc Frost, and Malik Work Presented by Midnight Radio Show at The Gene Frankel Theatre 24 Bond Street, Manhattan, NYC April 23-May 3, 2026 Puppeteer Laurynn Starkey. Photo by Richard Termine. Cats, as anyone who lives with them knows, spend a lot of time sleeping. But what if all that shuteye were not merely relaxation but research? In Dreamcats! , the family-friendly world-premiere puppet musical from Brooklyn-based science-fiction fairy-tale theater company Midnight Radio Show, the eponymous Dream Cats are an ancient race who live cloistered from the rest of "the fantastical galaxy" on the planet Dicee One-I, where they collect and study dreams in pursuit (or purr-suit?) of "understanding all the riddles of existence." Written and directed by Midnight Radio Show creative director Charlotte Lily Gaspard, Dreamcats! fuses live action, diffe...

Review: "The Door Slams, A Glass Trembles" Joins Relatives and Relativity

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The Door Slams, A Glass Trembles Written and directed by Paul Zimet Music by Ellen Maddow Presented by La MaMa Experimental Theatre Club in association with Talking Band at La MaMa's Downstairs theater 66 East 4th Street, Manhattan, NYC April 24-May 10, 2026 The cast of The Door Slams, A Glass Trembles . Photo by Maria Baranova. In the preface to his book The Clock Mirage (Yale University Press, 2020, Kindle ed.), Joseph Mazur describes time as "partly mathematical, partly conceptual, and significantly imaginary" (loc. 90). He adds that time, rather than something independent and absolute, "is often personal" and has "to do with our cells and brains, things that update memories to tell our bodies that we are in the rhythms and beats of being alive" (loc. 105, 148). Time as Mazur characterizes it is integral to the rhythms and ruminations of The Door Slams, A Glass Trembles , written and directed by Talking Band co-founder and Artistic Director Pau...

Review: "Labyrinth" Maps the Twists and Turns of Attraction

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Labyrinth Written by Julieta Timossi Adapted and translated by Isabel Criado and Martina Demaio Directed by Zoé Zifer Presented at The Newtown Stage at the Hellenic Cultural Center 25-02 Newtown Ave, Astoria, Queens, NYC March 20-22, 2026 Martina Demaio, Juan C. Ortiz, and Isabel Criado. Photo by Ramathillai Photography. The mythological Labyrinth has a clear monster stalking its passageways, but when it comes to the maze of human love and attraction, who is in the right and wrong becomes less cut and dried. The title of the play Labyrinth recently produced at The Newtown Stage refers to a night club in the play's New York City (perhaps the actual club Labyrinth in Manhattan), but it also functions as a metaphor for the romantic lives of its trio of characters and hints at the polyvocal structure of the narrative. Labyrinth is a new adaptation of Julieta Timossi’s Argentinian play, translated into English by Isabel Criado and Martina Demaio and featuring an all-immigrant Latinx ...