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Review: "Dirty Bird" Uncages a New Adaptation of "The Seagull"

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Dirty Bird Written and directed by Whit Flint Adapted from Anton Chekhov Presented by Twenty Somethings Productions and Riot Act at ErF Gallery 1 Ingraham St, Brooklyn, NY 11206 September 4-20, 2026 AJ Molder and River Knight. Photo by Matt Street. Anton Chekhov's works may seem to us now as the epitome of canonical, but, Svetlana Evdokimova reminds us, in own time, he "questioned the certainties that sustained traditional modes of social organization and morality as well as traditional ways of conceiving of the human self" and "sought to break out of tradition and convention through experimentation with new literary forms and a new kind of theater" ( Staging Existence , 2023, pg. 239). As Whit Flint more succinctly puts it in the director's note for Dirty Bird , his adaptation of The Seagull , Chekhov was a "rebel." Dirty Bird , a joint presentation of NYC-based Twenty Somethings Productions and UK-based Riot Act, channels that rebellious spirit...

News: On Her Shoulders Presents Staged Reading of "Vagina Rex & The Gas Oven (1969)" on September 17th

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Jane Arden On Her Shoulders is pleased to present a staged reading Vagina Rex & The Gas Oven , by Jane Arden, on Thursday, September 17th at New Perspectives Studio, 458 West 37 Street at 10th Avenue. Doors open at 6:45pm for a 7:00pm curtain, beginning with The Play in Context introduction by Osimiri Sprowal, who situates the script in its historical time and place, followed by the reading and a post-performance reception and discussion. Admission is $20 for the reading and reception. R.S.V.P. at Eventbrite . Jane Arden (1927-82), like many prolific women writers before and after her, could be described as a mad genius. Born Nora Patrice Morris in Pontypool, Wales, she went on to study at the Royal Academy of Dramatic Arts. She began acting in the 1940s, starring in both television and film. Her first two plays, Dear Little Liz and Conscience and Desire (1954), were first performed at the New Lindsay Theater Club, directed by her then-husband Philip Saville. Her next play, T...

News: "HYDE (Or Girls Can Kill Goats)" to Have Workshop Performance September 24-26

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Victoria M. Fragnito, Monica Rounds, and Katharine Maness. Our favorite Gothic feminist playwright Patricia Lynn’s new play HYDE (Or Girls Can Kill Goats) will have a workshop production September 24 - 26 at A.R.T./New York Theatres. The play is a bold contemporary reimagining of Strange Case of Dr. Jekyll & Mr. Hyde , by Robert Louis Stevenson. A delightfully dangerous mix of Yellowjackets and John Proctor is a Villain , HYDE transforms the classic tale of good vs evil into a fierce feminist frenzy, featuring heightened language, vivid theatricality, and a vengeful goat goddess named Bernice Hyde. Lynn also serves as director. After a tenacious journalist threatens to expose her vibrant but violent past, Jane Patterson attends her twenty-year college reunion in hopes of confronting him face-to-face. But the night does not go as she expects. Jane drowns herself in drugs, old friends, and the memories of her delicious witchy youth instead. And Jane starts to wonder what she shoul...

Review: Riverdale Shakespeare Players Debut with “A Midsummer Night’s Dream”

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A Midsummer Night’s Dream Written by William Shakespeare Directed by Esther Cohen and Sarah Stevenson Presented by Riverdale Shakespeare Players at University of Mount Saint Vincent , Riverdale Y , and Christ Church Riverdale August 27, 28, and 30, 2026 Photo by Alice Dupree. NYC may seem like it abounds in free Shakespeare in the summer, and to some extent it does—any number of high-quality productions are mounted in parks big and small, parking lots, and otherwise quiet school yards. And yet, this bounty does not always reach the outer boroughs, to say nothing of the outer limits of the outer boroughs. If Riverdale Shakespeare Players’ outstanding and extraordinarily well-attended inaugural production is any indication, the community is hungry for more Shakespeare, for opportunities for actors and audience members alike.  A new volunteer-run community theater company in the Riverdale neighborhood of the northwest Bronx, the Riverdale Shakespeare Players is a joint collaboration...

Review: "Lousy Cupcake" Savors the Last Bite of a Life

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I AM GOING TO DIE (And All They Gave Me Were These Lousy Cupcakes) Written by Lochlan MacLean and February Schneck Directed by February Schneck Associate direction by Bela Pascale Presented by LibLab Productions and HARP Theatricals (Helping Art Reach People) at The Rat NYC August 29, 2026 Sylvia Grosvold. Photo courtesy of LibLab Productions. Memento mori has a voluminous history of appearance in different forms of art: after all, what is more universally relatable than the inevitability of death? In terms of drama, one might think of the eponymous protagonist of the late medieval Everyman being made to leave behind even family on his unlooked-for pilgrimage into death, of Hamlet conversing with the gravedigger, or, several hundred years later, of Professor Vivian Bearing in Margaret Edson's Wit using the poetry of John Donne to process her experience of dying from cancer. A one-act contemplation of death and loss that artfully fuses melancholy, warmth, and humor, I AM GOING ...

News: Solo Show “...but what if it rains?” Sept 12 -13 at FRIGID's Second Annual Neurotica Fest

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Vanessa Fleming. Photo courtesy of Zeider’s American Dream Theatre. ...but what if it rains?,  an award-winning, one-woman show written and performed by Vanessa Fleming, will have its NYC premiere at FRIGID New York's Neurotica Fest this September. The show will run September 12th and 13th at UNDER St. Marks, 94 St. Marks Pl, NY, NY 10009. In ...but what if it rains? , the carefree and unburdened Vanessa (Vanessa Fleming), finds herself clumsily stumbling through a different type of coming-of-age experience after the sudden and unexpected new role of becoming a caregiver for her mother, Diane (Vanessa Fleming). As she navigates the world she is now in that throws mammoth-sized curveballs at every turn, challenging her stamina and her wits as it reshapes her sense of self, she tries to meet the moment with humor and understanding, no matter how impossible everything seems. The show has been described as a "moving and well-crafted piece that strikes a ba...

Review: A Celebrity Crush Doesn't Have to Mean Arrested Development in "Cerandipity"

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Cerandipity Written by Annabel McConnachie Directed by Helena Jost Presented at Chain Theatre 312 West 36th Street, Floor 3 July 12-30, 2026 Annabel McConnachie and Isabel Vann. Photo by Callee Egan (@calwithcamera). For people of a sufficient age, it can sometimes be tempting to feel nostalgic for our pre-Web 2.0, even pre-home-internet, relationship to celebrity, for days when we didn't know every off-putting opinion of the artists we liked, or even, in the cases of some bands, for example, what said artists looked like. At the same time, however qualitatively different today, the celebrity crush has been a phenomenon for far, far longer than today's information-saturated mediascape has existed. Annabel McConnachie's short two-hander Cerandipity takes an empathetic look at the significance for two contemporary young women of the celebrity crush that they turn out to share, with the play's title as perhaps a playful riff on the 2001 rom-com Serendipity , which takes a...